Color he should not pursue his dream for

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Color symbolism is really popular in novels written during the 1920’s. One such example is Scott Fitzgerald’s novel The Great Gatsby. There is much color symbolism in this novel, but there are two main colors that stand out more than the others. The colors green and white influence the story greatly. Green shows many thoughts, ideas, attitudes, and choices that Gatsby has throughout the story. White represents the stereotypical facade that every character is hiding behind.
The color green, as it is used in the novel, symbolizes different choices the character, Gatsby, can make during his life. The green element in this novel is taken from the green light at the end of the dock near Daisy’s house. The color itself represents serenity, as in everything is perfect. This warns Gatsby that he should not pursue his dream for getting Daisy back, because his chance has passed and everything is as it should be. This is shown with Nick’s insight, “…His dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him… (Pg.189)”
Another symbolization of the color green, which contradicts the first, is the meaning “go.” As in a traffic light signal, most people associate green with the word and action “go.” This can be interpreted as meaning Gatsby should go for his dream without hesitation. It implies that Gatsby and Daisy are meant to be together and nothing should stop Gatsby from his destined happiness and love with Daisy. It inspires hope for Gatsby that he is on the right path, heading towards the best years of his life. He believes that things will soon be as they once were, only better. “”I’m going to fix everything just the way they were before,” he said nodding determinedly. “She’ll see.”(Pg. 117.)”
The last symbolization the color green has in this novel is an urge to strive ahead in life, to do better in life and succeed. Gatsby changes his entire persona for a better, more sociable, image and status. He is constantly striving to be a more successful figure in society. Ever since he was a boy he put himself on a schedule with hopes for becoming a highly respected, well-known person. “He knew he had a big future in front of him. (Pg. 181),” his dad says about him. “Jimmy was bound to get ahead. He always had some resolves like this…(Pg. 182).”
White is the other color symbolism interlaced into this novel. Where green only influenced one character, white has a wider range of influence on the characters. This color symbolizes one thing, a facade, but it appears in every character. For example, Daisy is always seen wearing white, which gives her and innocent naive appearance. It is as though she uses that as an excuse for when she does something ridiculous or childish, making it seem like she does not know any better. In reality, she knows exactly what she does but just doesn’t care. She uses this little princess image and her money to hide her biased, snobbish, and conceited view of herself and her lifestyle. “They were careless people, Tom and Daisy–they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together…(Pg. 187-188).”
Another character that hides behind the white symbolic facade is Jordan Baker. She also wears white quite often. She acts as though she is superior to everyone around her. Her posture, her attitude, and even the things she says imply this arrogance. “She was extended full length at her end of the divan, completely motionless and with her chin raised a little as if she were balancing something on it which was quite likely to fall. If she saw me she me out of the corner of her eyes she gave no hint of it-indeed I was almost surprised into murmuring an apology for having disturbed her by coming in. (Pg.13).” She portrays a bored and apathetic attitude about everything, which is part of her “I am too good for you” appearance. In reality, she just wants to be as respected and socially

Categories: Lifestyle

Wealth, sort of man one would have

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Wealth, Love, and the American Dream
It has been said that F. Scott Fitzgeralds The Great Gatsby is about the pursuit of the American dream. It has also been said that the novel is about love, ambition, and obsession. Perhaps both are true. Combined, these themes may be understood in their most basic forms among the relationships within the novel. After all, each characters reason for belonging to a relationship speaks very strongly of what really makes him tick; each characters manifestation of his own desires is found within his lover. Throughout the novel, what universally unites each character beyond anything else is the love of a dream or position and involvement in relationships for the success of that dream.
Jay Gatsby has loved Daisy Buchanan since their romance of his youth. Beautiful, rich, and refined, Daisy serves as a symbol of Gatsbys wealth- she represents what 17-year-old James Gatz invented himself to be. The product of years of unfulfilled waited and longing by Gatsby, she becomes a sort of trophy dream. “Her voice is full of money”, Gatsby says (Fitzgerald 127). This delightful figure of speech shows precisely what Gatsby desires. The poor boy from the mid-west hoped to be a great man; Daisy has become the manifestation of this desire. Thus, he believes that by impressing her and being accepted by her he can fully posses that dream. After all, Gatsby believes that with his fabulous wealth he can buy anything he wants, especially Daisy. Longing for the love of his youth, he shapes his whole life around this objective of becoming worthy of her. “He had waited five years and bought a mansion where he dispensed starlight to casual moths so that he could come over some afternoon to a strangers garden” (Fitzgerald 83). Daisy had become the be-all and end-all of his mad ambition, and yet, his approach is passive and wasteful. Instead of actively seeking Daisy, he throws lavish parties, hoping she will stumble in. He finally resorts to a poorly planned meeting, using Nick as an accomplice and stumbling through a reunion that he had planned for all the years she had been away.

Unfortunately for Gatsby, Daisy has married in his absence the hulking, brutish Tom Buchanan, the sort of man one would have expected her to marry all along. Tom represents old money, American aristocracy, and a level of decadence that Gatsby, despite his lavish parties, cannot simulate. Nick notes that “It was hard to realize that a man of his own generation” is quite as wealthy as Tom really is (Fitzgerald 10). After all, Daisy married for money instead of love. Its made clear that she loves Gatsby far more than she loves Tom, but grew tired of waiting before she finally decided to marry Tom. By the night before her wedding, it was too late for her to change her mind. “She groped around in a waste-basket she had with her on her bed and pulled out the string of pearls. Take em downstairs and give em back to whoever they belong to. Tell em all Daisys change her mine. Say Daisys change her mine!” (Fitzgerald 81). Her pathetic, drunken attempt to break a commitment by returning a gift is too little too late; Daisys desire to remain rich through union to Tom could not counter-act her love for Gatsby.

Tom Buchanan isnt satisfied in his beautiful Daisy, the object of another mans dream. Tom describes him as being victim of a permanent anti-climax, the result of the echo of a forgotten football game long ago. Perhaps this is why he has decided to take on a mistress. His lover, Myrtle Wilson, is also in a state of discontent. She doesnt think much of her husband, George. “I married him because I thought he was a gentleman, she said finally. I thought he knew something about breeding but he wasnt fit to lick my shoe” (Fitzgerald 39). George Wilson may not be a very interesting guy; an auto mechanic doesnt offer much excitement. However, this does not make him disgraceful or poorly bred. After all, this criticism tells more about Myrtles character than it tells about Georges. It is not unfair to say that Myrtle is involved in her relationship with Tom for the sake of climbing the social ladder. On similar lines, their overstuffed apartment symbolizes their desire to stuff value without real structure or meaning. “Their apartment was on the top floor- a small living room, a small dining room, a small bedroom and a bath. The living room was crowded to the doors with a set of tapestried furniture entirely too large for it so that to move about was to stumble continually over scenes of ladies swinging in the gardens of Versailles” (Fitzgerald 33). This ostentatious display of overstuffed, and florid possession shows a desire within Myrtle to make public her new station in life. Unfortunately, there is not much structure within the apartment or the relationship itself. Neither can support the goals and ambitions brought into the relationship. Just as their apartment seems cramped due to more furniture than the building allows, their relationship is crowded and messy without any real feeling or structure.

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What is common in these relationships is the desire for the attainment of ones dream through the use of ones lover. Gatsby loves Daisy because she represents wealth and success, Daisy loves Tom because he holds the promise of a continued place as a member of American aristocracy, and Myrtle loves Tom because she believes that her relationship with him will grant her a place in high society. Although these relationships may exhibit pure ambition they do not exhibit pure love. Perhaps the novel is making a statement about the nature of ambition itself. When intertwined and mistaken with love, ambition causes hurt, disillusionment, and tragedy. And thus, perhaps Fitzgerald is saying that when the American dream is one based on money and mistaken for love, tragedy occurs.

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Categories: Relationships

In the current. They want to catch the

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In today society, many people like to follow the current. They want to catch the wave. Which mean, it does not matter if things were good or bad, right or wrong, they just follow and do them without any thinking. Therefore, there are not too many people would like to be a normal, thoughtful nor neutral person. However, in the novel, The Great Gatsby, by Scott Fitzgerald, one of the character name is Nike Carroway, he was the good and neutral narrator. It was because, in the novel, he analyzed all of the things with regard to accuracy of observation.


In The Great Gatsby, when Mr.Gatsby told Vick he wantedto return the past over again with his lover- Daisy, Nike Carroway warned him to give it up, because it was impossible. Unforturately, Mr.Gatsby was not believe it. So at the end, Mr.Gatsby’s dream still had not came true because Daisy did not break up with Tom and go with him. It can be seen in the last chapter on the novel, when Gatsby was murder, Daisy went to somewhere else with her husband, and did not go to Gatsby’s funeray.

I called up Daisy half an hour after we found him, called her instinctively and without hersitation. But she and Tom had gone away early that afternoon, and taken baggage with them.

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Therefore, Nike Carroway’s analysis was right by these clear observation.
However, Nike Carroway is a good narrator, he sees everything happen and does not trust everybody easily. So during the people discuss about something at a time, he does not believe it is true. After he proves it, he will accept the truth.


Moreover, when Nike went to Gatsby’s party, there is a drunk lady telling everyone Gatsby killed a man before.

Somebody told me they thought he killed a man once.


Also, there is one more lady said that Gatsby was a German spy:
It is more that he was a German spy during the war.


Nike heard it, but when Nike had a chance to have a lunch with Gatsby, he told Nike, he was an Oxford man and show him that fought in World War One. Then Nike knew Gatsby was not a German Spy nor a murderer.


Furthermore, at the end of the novel, when Daisy drove Gatsby’s car and killed Mrs.Wilson in a car accident, Nike’s first though Gatsby killed Mrs.Wilson. But after Gatsby told him all of the things at that moment, then Nike was thinking and discuss between Gatsby and Tom’s speaking, and make his own conclusion. Therefore, Nike was a thoughtful man and his is not afraid to face anything around him. By these facts, he had a clear mind and reliable in his observations, so it can make people believe Nike Carroways was a neutral and clear mind narrator of this novel, because this can be seen in Nike’s personality.


In the novel, Nike was also a neutral narrator too becasue he is the narrator who described everything clearly and accurately. He was trustful because he described everything without any personal point of view; By the way, throughout the whole story, he didn’t defenses for any characters nor put any of his self-feeling in it. That’s why he is a character who strived for neutrality.


On the other hand, when Mr.Gatsby tells Tom that Daisy will leave Tom because she loves Tom no more, it’s full of fire’s atomsphere and emotion.
” I’ve got something to tell you, old sport- ” began Gatsby. But Daisy guessed at his intention.

” Please don’t!” she interrupted helplessly.” Please let’s all go home. Why don’t we all go home?”
” That’s a good idea.” I got up. ” Come on, Tom. Nobody wants a drink.”
” I want to know what Mr.Gatsby has to tell me.”
” Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.”
At that time, if Nike was not in a neutral position, he must help Gatsby or Tom. But, he did not join in the argument between Gatsby and Tom. He just put himself in a corner, keeping quiet and see whatelse would happened in page 131 to page 135.


Therefore, we can see that Nike was a neutral man and a narrator who just care on the truth observation for sure in here.


It is so clear that Nike was a trustful man, so, by his unjustice information, and his truthful and accurate observation, the reader were sure that he is standing on neutral position, and the person who does not follow other people. By his Fantastic personality – does not believe everything nor what most other people said easily, it shows that Nike can standing on neutral position truly because of his knowledge and clever.

Categories: Articles

Important sometimes referred to as the Progressive Era,

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Religious Influences in The Great Gatsby
During the 1920s, sometimes referred to as the Progressive Era, political and social changes surfaced in society in efforts to progressively improve the nation. However, the 1920’s can accurately be described as the decade of selfishness. Society was material oriented and, as a result, there was a decrease in religious practices. This is vividly displayed in The Great Gatsby by Fitzgerald’s use of mortal characters as religious influences.
There are three significant occurrences in the novel which show the loss of spirituality of the time, beginning with Gatsby’s watch over Daisy the night of the hit and run. Gatsby spends the entire night watching for Daisy’s sign, just as knights risked their lives in pursuit of the Holy Grail. His desire for Daisy to come for his help and “live happily ever after” with him is misplaced because of the goal he hopes to attain: Daisy.
Next, there is underlying symbolism presented shortly before Gatsby’s death as he struggles with the swimming equipment. When offered assistance from his butler, Gatsby refuses and must “bear the cross” alone. Finally, Gatsby’s murder is portrayed as a process of purification, which is of great religious importance. Shot in his chlorinated pool, Gatsby overcomes his shortcomings and is “cleansed” of his sins.
The immoral efforts that were put against American pop culture in the 1920s are best summarized as Wilson stares into the eyes of Dr. T.J. Eckleburg of a vast wasteland, “You may fool me, but you can’t fool God!” His neighbor must remind him, “That’s an advertisement” (Parker 33). Another symbolic aspect of the Valley of Ashes is that it is the home of the Wilsons, a place where the average person has some type of religious practices. Myrtle’s murder is a blatant example of the pointlessness of religion in the Twenties’ society. Fitzgerald suggests that in Twentieth-Century America “God has become a thing of cardboard, ineffectual and passive, robbed of power by a short-sighted materialistic displacement of spiritual values” (Moyer 224). The religious efforts of individuals were no match for the selfish society.
Works Cited
Moyer, Kermit W. The Great Gatsby: Fitzgerald’s Meditation of American History. Rpt. in Critical Essays on The Great Gatsby Ed. Scott Donaldson. N.p. n.p., 1984.
Parker, David. Two Versions of the Hero. Amsterdam: Swets & Zeitlinbger B. V., 1973.
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