When it is much easier to point

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When I compared Our Town by Thorton Wilder and The Glass Menagerie by Tennessee Williams I noticed a lot of differences and very few similarities. I noticed differences in the roles that the mothers played in each of the stories, and the impact that the father had on the family. Another difference is the setting that each one of these stories takes place. Our town and The Glass Menagerie have a few similarities however it is much easier to point out the differences.

The first difference that I noticed between the two stories was the different roles that the father played. In Our Town the fathers were the head of the family. They seemed to take on the role of disciplinarian and provider. In The Glass Menagerie the father has ran out on his family. Tom and Laura do not seem to have a very good remembrance of their father, which forces Tom to take over the roll of father. Toms mother pushes him to help provide for Laura who is disabled. Tom does not seem to be mature enough to take on the role of father figure, which leads him to be miserable most of the time.

There is also a difference in the settings of the two stories. The Glass Menagerie takes place in a large city and the central setting is an apartment. In Our Town the setting is a small town where everyone knows each other. The number of characters also differs greatly. In Our Town there were about fifteen characters from many different families. In The Glass Menagerie there were four characters and the story centered around one family.

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The mothers in each of these stories are also very different. The mothers from Our Town are housewives who do not work. They take an active roll in their childrens lives but do not pry into their business. In The Glass Menagerie the mother is very nosy. She is constantly harassing Tom and causing distress within her household.

In conclusion, Our Town and The Glass Menagerie are two very different stories. The settings in which each of these stories take place differ greatly, along with the roll each of the parents take in each of the

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Wilder’s act is set in the cemetery outside

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Wilder’s passionate plea in the play is to appreciate every moment of every day, for life is a fleeting thing. With troubles rapidly expanding in Europe and war becoming a looming reality, people were inundated with the negative aspects of life. To see Our Town was to escape from the negative and rejoice in the ordinary; it reaffirmed faith in the unchanging moral values of small town living. It was obviously the balm that audiences needed in the midst of a pessimistic and changing world. Through his play, Wilder tries to teach the audience to seize the moment and enjoy living. There are no guarantees about a certain life span, as evidenced by the premature deaths of Emily Webb and her brother, Wally; tomorrow may be too late. By calling the drama Our Town and portraying ordinary people and events, the people in the audience and the readers of the play can identify with the theme and apply it to their own lives. Our Town is an unusual play in structure. It intentionally contains little action, in order to support the theme; nothing exciting or
suspenseful happens in any of the three acts, just as nothing exciting happens in Grover’s Corners. The play also ignores most dramatic conventions. In the beginning, the Stage Manager saunters on to an empty stage to talk directly to the audience; he tells them that the play is ready to begin. He then describes the appearance of Grover’s Corners and its inhabitants. The play also ignores the unity of time and place. Between the first
and second acts, three years pass. Then between the second and third acts, another nine years pass. In addition, the omniscient Stage Manager has repeated flashbacks to the past and flash-forwards to the future, further negating a unity of time. The play also has many locations. Although the entire play takes place in or around Grover’s Corners, each act has a different and distinct key setting. In Act I, most of the action takes place in the homes of the Webb’s and the Gibbs; often the activity in both homes is seen on stage at once, in order to emphasize the sameness of things in this small town. The second act is set largely at the church, where Emily and George are married. The last act is set in the cemetery outside of town and in the home of Emily during her revisit to her twelfth birthday. Not surprisingly, these acts are entitled by the main concern of each. Act I is called “Daily Routine,” Act II is Love and Marriage, and the final act is called Death. In spite of the lack of unity provided by time and location in the play, character serves as a great unifier. The Stage Manager and Emily are seen throughout the drama.

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Our of our daily life, against those preposterous

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Our Town
“Our Town”, by Thornton Wilder, written in 1938, was first performed at the McCarter theatre, New Jersey, on the 22nd of January1938. It is an example of meta theatre, and chronicles the lives of ordinary, everyday people, during their ordinary, everyday lives. The story is based in Grovers Corners, a small town in New Hampshire, set at the turn of the century.


The play involves three main acts, each focussed upon a different aspect of life.


Set in 1901, the first act simply discusses the passing of an uneventful day in the town. We are exposed to all the characters, particularly two teenage characters, Emily Webb, and George Gibbs.
The second act focuses upon love and marriage, and takes place in 1904, the day of Emily and Georges wedding. We are exposed to all the tremulous events of marriage, yet the scene ends happily.
The final act, set in 1913 involves the funeral of Emily Webb. After her death Emily chooses to return to her past, selecting her 12th birthday. Emily is soon returns to the cemetery, finding the whole experience saddening, as she realises the waste her life has been, taking everything for granted, not cherishing the smallest of treasures. Emily accepts death.

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Throughout this seemingly simple plot Wilder illustrates the relationship of the individual to the vastness of the universe, in fact, it is the simplicity of the plot that allows this topic to be addressed.


I have been offered the position of a director of this play, and will further discuss my methods, adhering carefully to those suggested by Wilder.


Thornton Wilder once referred to “Our Town” as “an effort to find the dignity in the trivial of our daily life, against those preposterous stretches which seem to rob it of any such dignity” This is an important aspect of the play, especially in todays society. Our whole idea of life is entertainment which is short, exciting, and requires no thinking. People prefer a roller coaster ride to smelling the roses.
With the main theme of “Our Town” being focussing upon the small, everyday aspects of life, and celebrating them, it is difficult to guarantee the audience is not bored. I believe the key to ensuring the audience accepts, and comprehends the ideals of the play, by advertising the play as a mental workout. If the play is promoted as deep, touching upon our place in the universe, the audience will prepared to participate, and see the deeper meanings under the apparently almost stereotypical story.


The staging of the play would once again be taken from Wilders original concept. The set would be bare of extravagant props and detail, only small, essential props being used. This would highlight the need of the audience to perceive the value in small things. The staging actually provides a channel for understanding for the audience. A bare stage, but for tables, chairs, of each of the families would allow the audience to develop their own mental set. The stage being merely a blank set with a few tables respects Wilders third fundamental condition for theatre, that theatre is “a world of pretense”.


As the play is based on a “world of pretense”, there is no need for concentration upon sets and costumes, the characters and narrative create the simple reality instead.


The play is continuously interrupted by the Stage Manager, providing background information, and commentary, this reminds us that we are watching a play. Since the audience is constantly reminded of the play, any attempts to imitate a real life situation, by set are futile. As Wilder requested there would be no backstage curtain, a literal bare stage.


The most important aspect of “Our Town” is the way the characters are portrayed, and perceived. To be effective, the characters need to display emotions, and demonstrate their characters in an almost generic manner, each displaying their “type” of person.


Wilders second fundamental condition is that “performances should be addressed to the group mind”, insinuating that audiences play an integral part in a production, acting as both spectators, and audience. The Stage manger reminds them that they are, in fact, watching a play, and by this helps them to participate completely. The Stage Manager is basically the backbone of “Our Town”.


The

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